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The odds of hitting a royal flush in Texas Hold�em are roughly 650,000-to-1. The game of
poker itself drew a?? hand perhaps even more unlikely 20 years ago when ESPN, burgeoning
online technology, the reality TV craze, and an overnight?? sensation with an
all-too-perfect name all hit at the 2003 World Series of Poker.
On May 23, 2003, Chris
Moneymaker of?? Spring Hill, Tennessee � population less than 8,000 per the 2000 U.S.
Census � lived up to his surname when?? hisR$40 entry into the 34th World Series of Poker
via PokerStars becameR$2.5 million.
Moneymaker�s dramatic defeat of Sam Farha in the
?? finale of the WSOP Main Event set off what the tournament�s media director in 2003,
Nolan Dalla, presciently described to?? the Associated Press that night as �the sonic
boom of poker.�
But not everyone at Binion�s Gambling Hall in downtown Las?? Vegas � at
the time, Binion�s Horseshoe � projected the game�s trajectory as a TV product over the
coming years.
�Without?? much background besides seeing the numbers for how many players
were in the Main Event, I was incredibly stunned by?? the meteoric growth that happened
over the next two, three, and four years,� said Norman Chad. �I never saw the?? poker TV
boom coming. I just happened to be there.�
Chad became the voice of poker in the 2000s,
a color?? commentator whose lighthearted candor made him to the game what Dick Vitale has
long been to college basketball or John?? Madden was to pro football.
But while Vitale
and Madden came into sports that were already well-established TV products, Chad was?? on
the ground floor of a new cornerstone for televised sports broadcasting. The 2003 WSOP
was his first time calling?? the event � and it was also one of the last in downtown
Vegas.
�It was a new landscape for me,�?? said Chad. �And it just felt like old-school
gambling� [Binion�s] was a grittier property than [a resort on] the Strip,?? so
everything was just smaller and everyone seemed to know each other.�
The close-knit
atmosphere and less glitzy style Chad describes?? brings to mind nostalgia for a Las
Vegas of yesteryear; like Robert DeNiro�s Ace Rothstein in Casino lamenting a time?? when
�dealers knew your name, what you drank, what you played.�
Martin Scorcese�s gangland
film, made in 1995, refers to an?? era when Las Vegas transitioned from smoke-filled and
whiskey-soaked gambling halls to mega-resorts that often targeted families. The Vegas
of?? the �90s relied on amusement parks and themed hotels with imagery of ancient Egypt,
Camelot, and so on.
By the turn?? of the 21st Century, the city underwent another
transition away from family-oriented vacationing to attracting adults in pursuit of
debauchery.?? Moneymaker�s game-changing WSOP win predated by just a few months the Las
Vegas Convention and Visitors Authority introducing a new?? slogan: What Happens in
Vegas, Stays in Vegas.
The WSOP was an event undergoing transformation, emanating from
a city undergoing transformation.?? And the vehicle through which this evolution emanated
happened to be the most prominent platform for sports.
The WSOP remains a?? summertime
staple of television. But in the 2000s, it was the hottest summertime programming the
network had to offer. In?? the early days of broadcasting the event, however, it wasn�t
so much a product of the Disney-owned machine.
Instead, ESPN contracted?? out to 441
Productions.
�The way they set it up, they created the modern World Series Main Event,�
Chad said. �They?? created the feel, the look, everything that is still� emulated
today.�
441 Productions produced the WSOP with an aesthetic that made?? a game slow by
nature into exciting television. Vital to the presentation was the hole card camera,
which the late?? Poker Hall of Fame inductee, Henry Orenstein, is credited for
innovating.
Orenstein�s idea of a small hole at the bottom of?? the table, through which
players� hands could be broadcast to the audience without spoiling the game, kept the
presentation from?? becoming �the proverbial watching-paint-dry� as Chad described
it.
The hole card camera allowed the ESPN audience to follow Moneymaker�s daring
strategy?? to the top of the tournament.
Moneymaker revealed to the AP upon his win that
he �bluffed a lot� but somehow?? I got away with it.�
441 Productions� use of the hole
card camera showed the TV audience bluffs in real-time, adding?? to the excitement of
knowing the hand while competitors were left guessing.
Viewers were indeed excited �
and online poker platforms?? like PokerStars were there to indulge this new audience�s
curiosity.
As the online venue through which Moneymaker qualified, PokerStars reaped
plenty?? of benefits from his success. The fledgling service � it hosted its first paid
tournament in September 2001 � reported?? growth from 50,000 to 100,000 users immediately
following the 2003 WSOP.
Online poker became ubiquitous enough at the time that a
?? memorable Chappelle�s Show skit features Dave Chappelle browsing the internet � if the
internet were a physical location. He is?? inundated with solicitations for online
gambling from a dealer at a poker table at every turn.
Prospective players indeed had
no?? shortage of options to play, but the industry had outlets that were clearly more
professional than others. Full Tilt and?? PartyPoker, two of the more prominent
platforms, had their satellite entries into the WSOP akin to the PokerStars avenue that
?? launched Moneymaker.
All of it came together to help fuel an explosion in
participation.
�It was incredible because it was 600-plus the?? year before,� Chad said,
referencing the participation in 2002. �It was 800-plus [participants] in �03. It went
from 800 to?? 2,500 to 5,600 in back-to-back years.�
Exponential growth necessitated a
move to a bigger space, and in 2005, the WSOP left?? downtown�s Binion�s Horseshoe for
Rio to accommodate more players.
And even with more space, the WSOP had still become
almost too?? big to contain.
�My first trip to the WSOP was in 2006, when I played in
aR$1,500 no-limit hold �em event,�?? said Brian Pedersen, a sportswriter and regular WSOP
player. �That was the second year it had been at the Rio,?? and they definitely weren�t
prepared for how big it had gotten. Tables are usually 9- or 10-handed in events like
?? that but we had to play almost 2 hours with 11 players because of how big the field
was. And?? I certainly wasn�t the only first-timer there.�
The influx of newcomers to the
poker world as a direct result of the?? WSOP�s ESPN presence paralleled another trend of
the decade: sudden stardom found on reality television.
�
Although not on the heart of
?? the Strip, located slightly to the west, Rio occupies a stretch of Flamingo Road that
reflected the 21st Century vision?? for Vegas in the 2000s.
A modern (built in 1990)
tower of shimmering blue-and-pink glass, Rio symbolized glitz and glamor. And,?? in a
fitting coincidence, it occupies an area of the city near The Palms, a casino that
helped usher in?? the What happens in Vegas ethos a few months prior to the 2003 WSOP
when it hosted MTV�s Real World.
Real?? World, for the uninitiated, is the granddaddy of
reality television. The show�s popularity in the 1990s provided a template for?? the boom
of the genre at the turn of the millennium, with CBS hitting paydirt through Big
Brother and Survivor.
Reality?? TV � or, more accurately, its more reputable cousin,
documentary television � played a role in poker�s boom. 441 Productions?? executive
producer Matt Maranz told former ESPN outlet Grantland in a 2013 oral history he
initially approached the network with?? plans for a poker documentary � the pitch instead
became broadcasting the WSOP.
�I�m not a reality show fan, but I?? consider [WSOP] to be
the purest reality show,� Chad said. �The other reality shows are gimmicked up, setting
people up?? in a house to be thrown out or going to a desert island to eat bugs. This was
their lives.?? This was how they lived, this is how they played.�
In this sense, WSOP was
less comparable to the reality TV?? of questionable truthfulness and perhaps more akin to
another hit of the same time frame.
FOX successfully adapted a British sensation?? that
fused reality with competition in American Idol. Idol�s first season, which concluded
one year before Moneymaker�s defeat of Farha,?? elevated an unknown singer named Kelly
Clarkson into the national consciousness.
Like Idol, the WSOP chronicled the rise of an
unknown?? with a skill that might not have otherwise had the stage to shine. Like Idol,
the concept attracted myriad pretenders?? without said skill.
But unlike Idol, which made
hay from scores of talentless wannabes who fancied themselves singers � with FOX
?? heavily marketing cringy early-round tryouts from hopefuls who couldn�t carry a tune �
the WSOP Main Event wasn�t a platform?? for those out of their depth.
That doesn�t mean
they didn�t exist in the poker world, however.
�All the time it would?? happen,� poker
player Scott Hirsch says of games with competitors who didn�t know even the most basic
rules of the?? game. �I was playing a limit game once� and I was on the river with the
best hand possible and?? this lady kept raising me, would not stop. I kept looking at my
hand and the board making sure I?? wasn�t misreading. She raised until she was out of
money and turned over a hand that was the fifth possible?? best hand. When she turned it
over she said, �Nuts.��
Perhaps the closest ESPN had to the failed Idol contestants
came?? not on the WSOP telecast, but the defunct Page 2.
Bill Simmons became ESPN�s most
prominent and influential writer thanks in?? part to his embrace of the early 2000s What
happens in Vegas attitude and frequent pop-culture references � among the?? most common,
the Matt Damon poker-themed film, Rounders.
Simmons� flirtation with the poker boom led
to a 2006 column in ESPN:?? The Magazine in which the writer, harkening to Rounders,
dismissed his unsuccessful performance at the WSOP as indicative of poker?? being nothing
more than a game of luck.
How much influence on the everyman�s interest in pursuing
poker more seriously was?? had from Simmons � a columnist whose popularity was built on
being presented as The Everyman � is impossible to?? gauge.
But a much more serious blow
to the general public�s fascination with poker came just a few months after the
?? dismissive ESPN column in the form of the Unlawful Internet Gambling Enforcement Act of
2006.
Passed by the House in July?? and the Senate in September 2006 � with at least one
senator saying neither did their due diligence before it?? went into effect in October �
UIGEA led to the poker boom going bust.
�I didn�t understand the online effect in?? �03
and �04 until I looked at the numbers [online platforms] were sending to the World
Series Main Event,� said?? Chad. �It was 30-to-40 percent of the total.�
Chad estimates
that the WSOP �would have passed 10,000 [participants] in the Main?? Event years ago�
without the implementation of UIGEA.
Free-to-play games remained in the law�s wake, but
with no stakes that were?? not in any way indicative of how true poker is played. That in
turn denied players a space to hone?? their craft.
�When they shut online in America down
everything changed,� said Hirsch. �Americans used to dominate the game; now they?? are
the worst. Online offers you the opportunity to play so many more hands than live, and
it can all?? be put in a database and analyzed so you get better so much more quickly
playing online.�
Without the internet presence,?? prospects of ESPN broadcasting the rise
of another Chris Moneymaker went from astronomical to entirely nonexistent. Had the
government�s intervention?? happened just a few years earlier, the 2000s poker boom may
never happen � or at least, not to the?? magnitude it happened.
�I wish we could go back
and put a parallel scenario where the guy [Moneymaker] beat wins [in?? 2003], Sammy
Farha, and then take a look at the boom we would have had,� Chad said. �We would have
?? had a boom either way. Chris Moneymaker made it a bigger boom [but] I think we would
have had it?? without Chris.�
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